Of course, there’s a lot wrong with the Oscars. Genre bias for Best Picture the most
egregious of them.
ABOLISH: BEST ANIMATED FEATURE, BEST ANIMATED SHORT
In addition to being a ghetto award, it really is
pointless to have an award for the best movie that happens to be animated. It seems to be an excuse to never award BP to
anything from this medium, though it doesn’t stop them from getting nominated,
resulting in a rather anticlimactic Best Animated category. Also, the distinction probably should not
apply to short films, either.
ABOLISH: BEST FOREIGN LANGUAGE FILM
Yet another ghetto award.
Perhaps the BP nominee list should be expanded accordingly.
ADD: BEST DIRECTOR OF AN ANIMATED FEATURE
While the Best Animated Feature category has no logical
reason to exist, this one does. The
logistics of making an animated film are different from those of a live-action
one, and the distinction should be recognized.
It also provides the opportunity to reward animated films for great
visual style or innovative technique (Book
of Life and Loving Vincent)
regardless of whether they’re overall superior movies.
ADD: BEST STUNT
This has been lobbied for for many years. These professionals sacrifice their bodies
for memorable moments, and they don’t even get an Oscar for it.
ADD: BEST ACTION CHOREOGRAPHY AND EDITING
This is one of those things that could be split into two:
how good the action is vs. how well it’s shot.
There could be an accommodation for great action in CGI animation.
RENAME SOUND EDITING TO SOUND DESIGN
These are the two Oscars that always confuse
everyone. There is a difference, but it
seems to have a lot to do how the filmmaking machine works: the two tasks are
separated in a way that may seem counterintuitive to the layman. The Academy itself seems confused by this as
well. It mostly shrugs and nominates the
BP nominees with significant overlap that suggests they’re half-assing it. This renaming could reduce a lot of confusion
and ambiguity.
…and just for fun…
ADD: BEST SONG COVER
This could be a pretty interesting category, even if the
Oscars would probably screw it up. Good
examples of recipients would be Le Mis’
soundtrack and this.
ADD: BEST SOUNDTRACK COMPILATION
This could get a little too subjective, but it would be
nice to make an award for selecting pre-existing songs and utilizing them in a
movie. Well, at least for last
year. Maybe I’m just saying this because
Atomic Blonde, Baby Driver, and Guardians of the Galaxy Vol. 2 made 2017
a freakishly good year for this. However, ridiculously played-out songs like "Hallelujah," "Moonlight Sonata," and "Bad Reputation" should not count toward it. Especially not "Bad Reputation."
ADD: BEST TRAILER
Trailers are a part of the film industry, and they can be
essential for marketing. It might be a
tricky choice because it has to balance entertainment a few elements: how good
it makes the movie look, how much it reveals about the movie, and how
entertaining the trailer itself is.
ADD: BEST TRAILER MUSIC
Trailer music is often better than the scores of the
movies themselves, so why not?
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