Starship Troopers
1997
D: Paul Verhoeven
**********
Pros: Score, Special Effects, Cheesy Fun, Some Good
Satire
Cons: Some Bad Satire, One Offensive Scene
Twenty years
ago today, Paul Verhoeven’s contemptuous adaptation of Robert A. Heinlein’s
seminal ci-fi novel was released. Due to
its satirical tone, it’s often mistaken for an earnestly cheesy B-movie. Usually when this mistake happens, the movie
is harshly criticized, but people seem to enjoy it nonetheles. Unlike most of the people who recognize this
movie for what it is, I have some criticism for its approach. And yes, it is possible to recognize the
problematic nature of the book while finding Verhoeven’s attempt to satire it a
bit flawed.
Published in
1959, the novel influenced many science fiction tropes, not the least of which
being mechanized battlesuits. Its
depiction of military life was so well-developed that it’s taught in military
schools and is cited as a hypothetical guide to future warfare. It makes a noble, if slightly awkward,
attempt to depict sexual equality. Unfortunately,
it’s not perfect. It’s most well-known
for its infamous theme that society would be ideal if only former military veterans
could vote, a message supported only by the conveniently fictional evidence
cited in the book. The story allows for
racial equality (as does the movie), and abuse of the civilian population is
somehow nonexistent. It’s an interesting
idea worthy of an alien race in Star
Trek: Deep Space 9, preferably with a complex exploration of its effect on
characters. The novel has also been
criticized for allegedly racist themes revolving around the alien
antagonists. Perhaps its most
empirically disproven message is that corporeal punishment is crucial to
instilling discipline. The story had
enough strengths to deserve an earnest adaptation that was aware of its flaws,
but that’s not what this movie is.
Verhoeven
obviously didn’t like the book so he decided to make the movie a mockery
of it. Unfortunately his
less-than-intriguing idea of deconstructing this military dictatorship is to
simply brand it as fascism. Not
particularly unfair in this case, but it’s pretty lazy. And he deftly conveys this message by literally dressing the characters up like
Nazis. This director has been known
to strike a difficult balance that makes his satires uniquely tongue-in-cheek
without turning them into outright farces, but this makes Starship Troopers veer away from RoboCop and Total Recall toward RoboCop 2.
Above: Subtlety. |
This is tangential, but I’d love to know how people who
conflate militarism and fascism think the Allies beat the Nazis in the first
place. Perhaps everyone in the Western
world simply donned a mask, walked into Germany, and punched them until World
War II was over.
Verhoeven’s
apparent lack of knowledge and appreciation for military oversimplified the
details of the book’s world and ignored the tactics that made it
intriguing. Most noticeably, the
battlesuits are gone, and a training scene absurdly ignores gun safety (leading
to a death). This is almost certainly
intentional symbolism of how little authoritarian regimes care for human life. Then again even brutal dictatorships see
their soldiers as assets and don’t waste them without some pragmatic reason for
doing so. The military is frequently
depicted as incompetent and ill-equipped.
For example, it takes an entire magazine from an awkwardly large Morita rifle (a possible Freudian statement?) to take down a single soldier bug. Even the Arachnids are stripped of their
technological prowess, depicted as somehow throwing rocks with butt plasma in
yet another probably intentional example of absurdity.
Nice booty, though. |
The most
insulting scene in the movie is one in which an older recruiter (Robert David
Hall) congratulates the protagonist on his decision to enlist and obliviously
states that the Mobile Infantry “made him the man he is today” before the
picture reveals the double amputation of his legs. This is actually a bastardization of a
sympathetic moment in the novel in which a veteran possesses cybernetic legs
but purposefully takes them off when working as a recruiter in order to make it
clear to prospective recruits what they’re signing up for. This rather clever and self-aware statement
about sacrifice is replaced by the childish suggestion that choosing to risk
life and limb for something greater than oneself is for chumps. Verhoeven generally displays an odd contempt
for heroism in his movies.
There are
some moments in which the satire succeeds, however. The most genuinely humorous moments are the
corny propaganda videos shown throughout the movie, which are more like the
tongue-in-cheek Verhoeven I appreciate.
Their nature is best summed up by the disingenuous catchphrase “Would
You Like to Know More?” The movie does
make a good point about how war fever and xenophobia can brainwash us. For example, much of the losses experienced
by the Federation are the result of its underestimation of the enemy. In fact, there are vague suggestions that the
humans were the aggressors (particularly one scene that suggests that some bugs
are captured and experimented on), provoking the Arachnids to attack. On the other hand, the aliens’ attack on civilian
targets is hardly justifiable. There are
some occasional moments of dissent from civilians, but I would have liked to
see more internal conflict.
One objective advantage the movie has
over the novel is a well-organized plot.
Despite its less earnest approach, it actually has character arcs that
come to fruition. The book simply
focuses on a linear account of Juan “Johnny” Rico’s training and advancement in
the military, and this limits the story’s scope. There is a good moment of complexity between
Sergeant Zim and a superior officer, but its presentation is a bit contrived as
a result of Heinlein’s decision to make Rico the only POV character. Coversely, the film sets up an arc in which
a whitewashed Johnny Rico (Casper Van Dien) and his classmates Carmen Ibanez
(Denise Richards), Isabell “Dizzy” Flores (Dina Meyer), and Carl Jenkins (Neil
Patrick Harris) join the military as soon as they graduate their intentionally
Rockwellesque life as high school students.
Their different career paths branch out until eventually meet again at
the end, secure in their roles in The Federation. Here Carmen says, “You know, whenever the three of us are together, I feel like things just might work out.” There are even some moments of pathos,
particularly Dizzy’s death. Other
characters include Rico’s infantry comrade Ace Levy (Jake Busey) and
tough-but-caring division officer Jean Rasczak (Michael Ironside), and Carmen’s
comrade/love interest Zander Barcalow (Patrick Muldoon). Rico’s parents, who disapprove of his
military service, are played by Christopher Curry and Lenore Kasdorf. One of the more compelling characters is Zim
(Clancy Brown), a tough sergeant with a sympathetic side. Other cast members include Brenda Strong,
Seth Gilliam, Dean Norris, Marshall Bell, Rue McClanahan, Dale Dye, Amy Smart,
and John Cunningham as the propaganda reel narrator.
One of the
movie’s strengths is its special effects.
The movie got a well-earned Oscar nomination for it, and it features a
good mix. In addition to good model work
with the spaceships, the bugs are rendered using impressive CGI for the time. It even holds up surprisingly well, with the
exception of the Brain Bug.
Additionally, Verhoeven delivers on his signature violence. Sometimes the gore is played well for dark
humor in the newsreel scenes.
By far the
best part of the movie, however, is Basil Poledouris’ score. It seems aware of the movie’s satirical tone
by starting out as rather cloying patriotic march before it subverts itself and
transitions to a dark, and ominous theme that still manages to be genuinely rousing. It’s a perfect combination of
irony and genuinely enjoyable scoring.
It was a travesty that it did not win the Oscar. In fact, Poledouris, despite his excellent
work, has never even been nominated for an Academy Award. The franchise also
features an ironic patriotic song (I believe from a sequel), that is also
rather enjoyable.
There are a
few reasons why Starship Troopers is
popular even among people who miss the satire, or people who (like me) see said
satire as flawed. Verhoeven is one of
the few directors who can pull off tongue-in-cheek violence without it turning
farcical. Even talented directors, like
John McTiernan and Irvin Kershner, have tried this and failed miserably. It’s easy to screw this up and accidentally
make a genuinely good action movie or a spoof.
Usually movies that bridge the gap end up coming off as hypocritically
trying to have it both ways. Verhoeven’s movies arguably have this problem, but their
creativity makes his movies enjoyable whether you choose to watch them as
earnest movies or ironic satires.
Another factor is that he generally treats the characters like
sympathetic people despite the message.
For those who don’t get the irony, his R-Rated boldness make his work
more like an enjoyably edgy B-movie while other satires-mistaken-for-bad-movies
can simply come off like gutless studio dreck.
The satirical approach also provides opportunity for humor. There are plenty of fun moments and memorable
lines throughout the movie that even have some accidental appeal for the more
militaristic among us. Starship Troopers may not be as smart as
it thinks at is and it may not do the source material justice, but it’s still a
fun movie that’s worth a watch. Or maybe I'm just more forgiving when childhood nostalgia is not involved.
QUOTES
RASCZAK: You. Why are only citizens allowed to vote?
STUDENT: It's a reward. Something the Federation gives
you for doing federal service.
RASCZAK: No. Something given has no value. When you vote,
you are exercising political authority, you're using force. And force my
friends is violence. The supreme authority from which all other authorities are
derived
RASCZAK: Naked force has resolved more conflicts
throughout history than any other factor. The contrary opinion, that violence
doesn't solve anything, is wishful thinking at its worst. People who forget
that always die.
RASCZAK: Rico. What is the moral difference, if any, between a civilian and a citizen?
RICO: A citizen accepts personal responsibility for the safety and the body politic defending it with his life. A civilian does not.
RASCZAK: The exact words of the textbook. But do you understand it? Do you believe it?
RICO: I don't know.
RASCZAK: No, of course you don't. I doubt anyone here would recognize civic virtue even if it reached up and bit you in the ass!
RICO: I wanna join up.
I think I got what it takes to be a Citizen.
RASCZAK: Good for you! Go find out...
RICO: Well... my parents are against it... and I know
it's my choice. I was wondering. What would you do if you were me?
RASCZAK: Figuring things out for yourself is the only
freedom anyone really has. Use that freedom. Make up your own mind, Rico.
ACE: Sir, I don't understand. Who needs a knife in a nuke
fight anyway? All you gotta do is push a button, sir.
ZIM: Cease fire. Put your hand on that wall trooper. Put
your hand on that wall!
[Zim throws a knife and pins Aces hand to the wall]
ZIM: The enemy cannot push a button... if you disable his
hand. MEDIC!
[Rico is about to
be flogged as punishment]
ZIM: [whispering]
Bite down on this, son. It helps. I know.
RICO: Someone asked me once if I knew the difference
between a civilian and a citizen. I know now. A citizen has the courage to make
the safety of the human race their personal responsibility. Dizzy was my
friend. She was a soldier. But most important, she was a citizen of the
Federation.
RASCZAK: I need a corporal. You're it, until you're dead
or I find someone better.
CARL: You disapprove? Well, too bad! We're in this war
for the species, boys and girls. It's simple numbers. They have more. And every
day I have to make decisions that send hundreds of people like you to their
deaths.
RICO: Didn't they tell you, Colonel? That's what the
Mobile Infantry is good for.
[Rico passes up a
dance with Dizzy]
RASCZAK: Rico - you once asked me for advice, want some
now?
RICO: Yes, sir!
RASCZAK: Never pass up a good thing.
ZANDER: My G-d.
How could this have happened?
CARMEN: We thought we were smarter than the bugs.
[Fleet faces heavy
plasma fire]
CAPTAIN DELADIER: This isn't random or light. Somebody
made a mistake.
ZANDER: That's it. Drop status is 100%. We're empty,
ma'am.
[Plasma fire grows
worse, and two other ships collide in front of them]
CAPTAIN DELADIER: Somebody made a BIG g-ddam mistake!
RASCZAK: I expect the best and I give the best. [rolls out a keg] Here's the beer!
[Everyone cheers]
RASCZAK: Here's the entertainment. Now have fun. That's
an order!
[Carl approaches a
captured Brain Bug that is obviously beside itself with fear. It cowers as he touches its head. He takes a few seconds to psychically probe
it.]
CARL: It’s afraid.
It’s afraid!
[Everyone cheers]
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