Sunday, February 15, 2015

Best Song Oscars

My take on the Best Original Song Oscar.  Years highlighted in green are the ones in which I agree with the winner.  Red ones are the ones in which my choice wasn't even nominated.

1939
The Winner: Harold Arlen/Yip Harburg - "Somewhere Over the Rainbow" (The Wizard of Oz)
Most of these songs seem pretty similar, but it's the Winner that stood the test of time.

1940
The Winner: Leigh Harline/Ned Washington - "When You Wish Upon a Star" (Pinocchio)
When I checked the nominations for this award, I found some surprises (including a tiny piano).  I enjoyed "Down Argentine Way" (Harry Warren/Mack Gordon) and "Love of my Life" (Artie Shaw/Johnny Mercer), but "When You Wish Upon a Star has come out as a classic (despite the misleading message). 

1941
The Winner: Jerome Kern/Oscar Hammerstein II - "The Last Time I Saw Paris" (Lady Be Good)
My Choice: The King's Men - "Song of the Roustabouts" (Dumbo)
When I checked the nominations for this award , I found that "Baby Mine" (Frank Churchill, Betty Noyes and Ned Washington, Dumbo) and "Since I Kissed My Baby Goodbye (Cole Porter, You'll Never Get Rich) to be the most deserving of them.  At least the winner was an okay song.  I didn't like "Boogie Woogie Bugle Boy of Company B," but it gets a point just for having an awesome title.  I personally would have preferred to see "The Song of the Roustabouts" (The King's Men) and "Pink Elephants on Parade" (The Sportsmen) from Dumbo on this list.  I love work songs.

1942
The Winner: Irving Berlin - "White Christmas" (Holiday Inn)
When I checked the nominations for this award, I decided that "White Christmas" was the best of the bunch.

1947
The Winner: Allie Wrubel/Ray Gilbert - "Zip-a-Dee-Doo-Dah" (Song of the South)
My Choice: Ralph Bane/Hugh Martin/Roger Edens - "Pass the Peace Pipe" (Good News)
Looking at the nominations, I was surprised to note that "Zip-a-Dee-Doo-Dah" was actually outdone in energetic cheer. 

1950
The Winner: Ray Evans/Jay Livingston - "Mona Lisa" (Captain Carey, USA)
My Choice: "A Dream is a Wish Your Heart Makes" (Cinderella)
Looking at the nominations, I was happy that "Bibbidi Bobbidi Boo" from Cinderella was nominated, but I would have also liked to see "Sing Sweet Nightingale" and my choice nominated.

1955
The Winner: Nicholas Brodszky/Sammy Cahn - "Love is a Many Splendored Thing" (Love is a Many-Splendored Thing)
My Choice: Sonny Burke/Peggy Lee "He's a Tramp" (Lady and the Tramp)
Looking at the nominations, I don't think any of them are as good as "He's a Tramp" (Lady and the Tramp) sung by Peggy Freakin' Lee.  I also would have nominated "Bella Notte," "What is a Baby" and "La La Lu" from that movie.  I have to point out that while I love the Righteous Brothers' version of "Unchained Melody," the original sounds pretty awful.    

1961
The Winner: Henry Mancini/John Mercer - "Moon River" (Breakfast at Tiffany's)
My Choice: Dmitri Tiomkin/Ned Washington - "Town Without Pity" (Town Without Pity)
Looking at the nominations, I thought "Moon River" was good, but "Town Without Pity" was better.  I couldn't find a version of the Love Theme from El Cid with its alleged lyrics, so I'm not sure if it was appropriate for the award, even though I liked it.  I would have liked to see "Cruella De Vil" (101 Dalmatians) nominated.

1964
The Winner: Sherman Bros. - "Chim Chim Cher-ee" (Mary Poppins)
Looking at the nominations, I liked "Chim Chim Cher-ee" the best despite Dick Van Dyke's atrocious Cockney accent.  "Dear Heart" sounds better when it's sung by Frank Sinatra.  I would have nominated the theme for Goldfinger, but this won't be the first Bond song to be snubbed.

1965
The Winner: Johnny Mandel/Paul Francis Webster - "The Shadow of Your Smile" (The Sandpiper)
My Choice: Tom Jones "Thundberball" (Thunderball)
Looking at the nominations, I preferred my original choice.

1966
The Winner: John Barry - "Born Free" (Born Free)
Looking at the nominations, I agree with this choice.

1967
The Winner: Terry Gilkyson - "Talk to the Animals" (Doctor Doolittle)
My Choice: Sherman Bros./Louis Prima - "I Wanna Be Like You" (The Jungle Book)
Looking at the nominations, I'm sticking with my original choice.  This demonstrates another disturbing trend: the bias against villain songs.  The Winner didn't seem to contain any actual singing until the very end.  I did like "Thouroughly Modern Millie," though.

1969
The Winner: Burt Bacharach/Hal David - "Raindrops Keep Falling on My Head" (Butch Cassidy and the Sundance Kid)
Looking at the nominees, I agree with the Academy.

1971
The Winner: Isaac Hayes - "The Theme from Shaft" (Shaft)
Looking at the nominees, I agree with the Academy.  I think Willy Wonda and the Chocolate Factory deserved some nods for it songs.

1973
The Winner: Marvin Hamlisch/Alan Bergman/Marilyn Bergman - "The Way We Were" (The Way We Were)
My Choice: Paul McCartney - "Live and Let Die" (Live and Let Die)
Looking at the nominees, I'm sticking with my first choice.  

1974
The Winner: Al Kasha/Joel Hirschhorn - "We May Never Live Like This Again" (The Towering Inferno)
My Choice: Lulu - "The Man With the Golden Gun" (The Man With the Golden Gun)
Looking at the nominees, I'm sticking with my first choice.

1980
The Winner: Michael Gore/Dean Pitchford - "Fame" (Fame)
Looking at the nominees, I heavily agree with the winner, with "9 to 5" in second place.  Oddly enough, this movie justly won a Best Song, but it seemed to steal the Best Score from Empire Strikes Back.

1982
The Winner: Jack Nitsche/Buffy Sainte-Marie - "Up Where We Belong" (An Officer and a Gentleman)
My Choice: Giorgio Moroder/David Bowie - "Putting Out the Fire (With Gasoline)" (Cat People)
Although I'm happy that Survivor's "Eye of the Tiger" got nominated, I'm upset my choice wasn't.  Also, I didn't know that song didn't happen until Rocky III.  Also, Sally Stevens' "Flying Dreams" from Secret of NIMH should have been nominated, too.

1983
The Winner: Giorgio Moroder - "Flashdance...What a Feeling" (Flashdance)
My Choice: Lou Reed - "My Name is Mok" (Rock & Rule)
"Maniac" would have been my second choice.  I would have also nominated "Push It to the Limit" from Scarface.

1984
The Winner: Stevie Wonder - "I Just Called to Say I Love You" (The Woman in Red)
My Choice: Bonnie Tyler - "Holding Out for a Hero" (Footloose)
So close, plus I do not like the nominated songs from Footloose.  I also would have nominated Ray Parker, Jr.'s "Ghostbusters""Axel F" from Beverly Hills Cop, and Gladys Knight's theme for License to Kill, and Tahnee Cain and the Tryangles"Burnin' in the Third Degree" (The Terminator

1986
The Winner: Giorgio Moroder/Tom Whitlock - "Take My Breath Away" (Top Gun)
My Choice: Cheap Trick - "Mighty Wings" (Top Gun)
Okay, this one pisses off.  1986 was the year of classic 80's rock soundtracks.  We had "Danger Zone" and "Mighty Wings" from Top Gun.  We had Transformers: The Movie with all its great rock songs ("The Touch" was originally composed for Cobra, but wasn't heard in it).  We had Highlander with songs by freakin' Queen.  And none of them got nominated.  NONE OF THEM.  Seriously, if you're going to show a genre bias against 80's hair metal, don't give the award to a piece of pure 80's cheese like "Take My Breath Away!" 

1987
The Winner: Franke Previte/John DeNicola/Donald Markowitz - "The Time of My Life" (Dirty Dancing)
My Choice: Van Dyke Parks - "It's a B-Movie" (The Brave Little Toaster)
Out of the nominees, I like George Fenton and Jonas Gwangwa's "Cry Freedom," "Shakedown" and "Nothing's Gonna Stop Us Now."  I also would have nominated A-Ha's theme for The Living Daylights, and "Worthless" from Brave Little Toaster.

1989
The Winner: Alan Menken/Howard Ashman - "Under the Sea" (The Little Mermaid)
My Choice: Alan Menken - "Poor Unfortunate Souls" (The Little Mermaid)
The Academy begins its proud tradition of giving awards to the least worthy songs from Disney movies while blatantly their best songs.

1990
The Winner: Stephen Sondheim - "Sooner or Later" (Dick Tracy)
My Choice: Basil Poledouris - "The New World" (The Hunt for Red October)
Most of the nominations were good, with the exception of "Blaze of Glory," which makes me almost understand why everyone hates Bon Jovi (even though I have reason not to).  I particularly love "Somewhere in My Memory" from Home Alone.  But this year demonstrates the Academy's baffling hate for Basil Poledouris.  Just because he caught one of you selling crack once doesn't mean you have to hold a petty grudge.

1991
The Winner: Alan Menken/Howard Ashman - "Beauty and the Beast" (Beauty and the Beast)
My Choice: Alan Menken/Howard Ashman - "The Mob Song" (Beauty and the Beast)
My second choice would be "Gaston."

1992
The Winner: Alan Menken/Tim Rice - "A Whole New World" (Aladdin)
My Choice: Thomas Dolby - "Toxic Love" (Ferngully: The Last Rainforest)
Looking at the nominees, I liked "Friend Like Me," but I also would have nominated "One Jump," "Arabian Nights" and "Prince Ali"

1993
The Winner: Bruce Springsteen - "Streets of Philadelphia" (Philadelphia)
My Choice: Danny Elfman - "This Is Halloween" (The Nightmare Before Christmas)
There you have it, people.  Bruce Springsteen has an Oscar but Danny Elfman does not.
Bruce Springsteen has an Oscar but Danny Elfman does not.
Bruce Springsteen has an Oscar but Danny Elfman does not.
Bruce Springsteen has an Oscar but Danny Elfman does not.
Bruce Springsteen has an Oscar but Danny Elfman does not.
UUUUUUGHFUCK.

1994
The Winner: Elton John/Tim Rice "Can You Feel the Love Tonight" (The Lion King)
My Choice: Elton John/Tim Rice "Be Prepared" (The Lion King)
Well good work.  You awarded the sappiest song in The Lion King, nominated the worst song in The Lion King (ok, that's debatable), and ignored the BEST SONG IN DISNEY HISTORY.  Oh well, at least "Circle of Life" deserved a nod.  I can't wait until I'm out of the 90's, so I don't have to deal with your nominating the wrong songs from Disney movies. 

1995
The Winner: Alan Menken/Stephen Schwartz - "Colors of the Wind" (Pocahontas)
My Choice: Tina Turner - "GoldenEye" (GoldenEye
I'm sorry, "Can You Feel the Love Tonight," I misjudged you.  The Academy awarded a song from Pocahontas that seems to have been designed specifically to cause dry heaves in anyone who's not a radical environmentalist while ignoring a much better song from the same movie and the best song in the Bond series.  I heard that "Gangsta's Paradise" was out before Dangerous Minds, so I didn't include it. 

1996
The Winner: Andrew Lloyd Weber/Tim Rice - "You Must Love Me" (Evita)
My Choice: Alan Menken/Stephen Schwartz - "Hellfire" (The Hunchback of Notre Dame)
Wow, just pure sap here.  There were a lot of much better songs, most of them from Hunchback of Notre Dame.

1997
The Winner: James Horner/Will Jennings - "My Heart Will Go On" (Titanic)
My Choice: Lynn Ahrens/Stephen Flaherty - "In the Dark of the Night" (Anastasia)
Ok, I admit.  I kinda like "My Heart Will Go On."  But still, they seem to have nominated the sappiest song from Anastasia while ignoring its good stuff.  I also would have nominated Sheryl Crow's theme for Tomorrow Never Dies, "Now You're a Man" from Orgazmo and "Big and Loud" from Cats Don't Dance. 

1998
The Winner: Stephen Schwartz - "When You Believe" (The Prince of Egypt)
My Choice: Stephen Schwartz - "Rally and the Plagues" (The Prince of Egypt)
There were better songs from Prince of EgyptThere were also good songs in Mulan and Patch Adams.

1999
The Winner: Phil Collins - "You'll Be in My Heart" (Tarzan)
My Choice: Garbage - "The World Is Not Enough" (The World Is Not Enough)
Trey Parker and Matt Stone made a fuss about being beaten by Phil Collins, but I thought there were better songs in South Park: Bigger, Longer & Uncut than "Blame Canada." 

2001
The Winner: Randy Newman - "If I Didn't Have You" (Monsters, Inc.)
My Choice: Enya - "May It Be" (The Lord of the Rings: The Fellowship of the Ring)
I do believe the Enya song deserved the award.  Instead they gave it to Randy Newman for being repetitive.

2002
The Winner: Eminem/Jeff Bass/Luis Resto - "Lose Yourself" (8 Mile)
My Choice: Howard Shore/Fran Walsh/Emiliana Torrini - "Gollum's Song" (The Lord of the Rings: The Two Towers)
Yeah, I don't like rap.

2004
The Winner: Jorge Drexler - "Al otro lado del rio" (The Motorcycle Diaries)
My Choice: Trey Parker - "The End of an Act" (Team America: World Police)
Aside from awarding the song from a puff movie about Che Guevera, the song from Shrek 2 is particularly awful.  I think Team America had a great soundtrack that were worthy of nominations.  "End of an Act" is the perfect spoof of corny action movie pop songs as well as a great shot at Michael Bay. 

2005
The Winner: Juicy J/Frayser Boy/DJ Paul - "It's Hard Out There for a Pimp" (Hustle & Flow)
My Choice: Danny Elfman - "Remains of the Day" (Corpse Bride)
Danny Elfman, I'm sorry you don't have an Oscar.  It's not my fault.  Gee, they didn't even nominate a full five this time.  It's not like there were better songs out there.

2006
The Winner: Melissa Etheridge - "I Need to Wake Up" (An Inconvenient Truth)
My Choice: Chris Cornell - "You Know My Name" (Casino Royale)
"Wait, there's a song in Al Gore's documentary?  I guess we better give that an Oscar, too."  At least he Dreamgirls songs were good.

2007
The Winner: Glen Hansard/Marketa Irglova - "Falling Slowly" (Once)
My Choice: Hans Zimmer/Gore Verbinski - "Hoist the Colours" (Pirates of the Caribban: At World's End)
It's good to see that most of the songs were from the 90 minutes of half-assery that was Enchanted.

2008
The Winner: A.R. Rahman/Gulzar - "Jai Ho" (Slumdog Millionaire)
My Choice: Jack White/Alicia Keyes - "Another Way to Die" (Quantum of Solace)
Everyone seemed to hate this Bond song except me.

2009
The Winner: Ryan Bingham/T-Bone Burnett - "The Weary Kind" (Crazy Heart)
My Choice: Maury Yeston - "Take it All" (Nine)
A surprisingly good year.  "Take It All" is a very sexy song, and Marion Cotillard helps.  The soundtrack to Princess and the Frog suffered due to Randy Newman's monotonous style.  Even "Friends on the Other Side" stopped being actual music about a minute in.

2010
The Winner: Randy Newman - "We Belong Together" (Toy Story 3)
My Choice: Chris P. Bacon (?) - "The Moonlight Howl" (Alpha and Omega)
Yeah, I picked "Moonlight Howl."  I don't care what anyone says.  It's awesome.  I also like Pharrell's theme for Despicable Me.

2012
The Winner: Adele/Paul Epworth - "Skyfall" (Skyfall)
Yet again the Academy failed to...wait, what?  They actually gave the Award to a song that actually deserved it?!!!  They haven't done that in over thirty years!  And to Bond song, too.  That only took them 50 years.  Still annoyed by the fact that Ted was nominated.

2013
The Winner: Kristen Anderson Lopez/Robert Lopez - "Let It Go" (Frozen)
Wait a minute, they did it again?  That "Let It Go" is one of the few deserving Best Song Awards makes the hipster backlash against Frozen even more irritating to me.  Although I think we need a national discourse on how "Frozen Heart" is an underrated song.  I also liked "Candy Candy" from Legends of Oz: Dorothy's Return.

2014
The Winne: TBA
My Choice: Daniel Ingram - "Battle" (My Little Pony: Equestria Girls - Rainbow Rocks)
 (While most of the nominations seem solid, this category is the biggest screw-up of the year.  The Best Original Song award broke from tradition the last couple of years by awarding songs that actually deserved it for the first time ever, but now the Academy is back to its old ways.  I’m going to be the bad guy here, but I do not understand why everyone likes “Everything is Awesome.”  It’s a bland and phoned-in song, and there are much better happy songs out there.  I’m pretty sure it’s supposed to have an ironic Stylistic Suck appeal, but that should obviously disqualify it for an award based on earnest musical achievement.  It’s the song I will be rooting against.
     The other songs in the category are also predictably underwhelming except for John Legend/Common’s “Glory.”  With the exception of that song, this years award was a travesty.  My money’s on this song just because of politics, but it’s still the most deserving of the nominees.  C’mon Hollywood white guilt, don’t let me down now.  Funny though, I think “The Apology Song” from Book of Life would have been a good choice due to its ethnic appeal and the fact that it’s far better than most of the nominees.  Oh well, Hollywood white guilt can only focus on one race at a time, and this is apparently Black Person Year.  “The Yellow Flicker Beat” from Hunger Games was also a blatant snub.
      My nomination for the biggest snub of the year in this category is honestly…My Little Pony: Equestria Girls - Rainbow Rocks.  I don’t want to look like I’m giving any quarter to the terrible idea that was Equestria Girls, but the songs in it that are sung by The Dazzlings are actually really good (especially “Battle”) and far more deserving than any of the nominees.  The movie probably didn’t warrant a theatrical release, but that does qualify its songs for nominations.  Maybe it’s the Academy Awards bias against awarding songs for movies that were not too critically acclaimed even for awards in which that’s moot.  The Oscars has also shown a blatant bias against villain songs (the other songs in Rainbow Rocks kinda suck). 

If "Everything Is Awesome" wins, it will be a new low for this category, and that's saying something.



Here's the shortened list of the Best Song Oscars I agree with:

1939 - Harold Arlen/Yip Harburg - "Somewhere Over the Rainbow" (The Wizard of Oz)
1940 - Leigh Harline/Ned Washington - "When You Wish Upon a Star" (Pinocchio)
1942 - Irving Berlin - "White Christmas" (Holiday Inn)
1964 - Sherman Bros. - "Chim Chim Cher-ee" (Mary Poppins)
1966 - John Barry - "Born Free" (Born Free)
1969 - Burt Bacharach/Hal David - "Raindrops Keep Falling on My Head" (Butch Cassidy and the Sundance Kid)
1971 - Isaac Hayes - "The Theme from Shaft" (Shaft)
1980 - Michael Gore/Dean Pitchford - "Fame" (Fame)
2012 - Adele/Paul Epworth - "Skyfall" (Skyfall)
2013 - Kristen Anderson Lopez/Robert Lopez - "Let It Go" (Frozen)


















Saturday, February 14, 2015

Academy Award for Best Original Score

I love movie scores and, with the Oscars coming up, I've decided to list what I think of the winners and nominees while providing a fairly comprehensive list of my own favorite scores.  I admit that most of my frame of reference was based on looking at years with scores I'm familiar with and comparing them to the winners.  I also admit that there is some inconsistency in how I format some of the text and pipe the links here, since I wrote this post in multiple sittings.  The winners I agree with are highlighted in green, and my choices are highlighted in red if they weren't even nominated.  Before I begin the  list, here are some general observations I made while making it:

-The Oscars is infamously behind the curve, so I noticed a lot of great composers winning awards years after their prime, and often for Oscar-bait movies.
 -Oscar-bait movies tend to have rather generic sad violin/piano scores, and apparently the Academy apparently loves that stuff.
-The Academy almost exclusively nominates the scores of critically acclaimed movies.  That a mediocre movie might have a great score is a concept that seems alien to the Academy.
-It seems that the Academy makes a good call at least once a decade, and the 70's had four consecutive wins that I agree with.
-Ennio Morricone won an Honorary Oscar, which is the Academy's way of saying, "Sorry, our bad."  He got nominations, though, but not for The Good, the Bad and the Ugly.
-Danny Elman has yet to win an Oscar.
-Clint Mansell, John Murphy, Harry Gregson-Williams and Basil Freakin' Poledouris have never even gotten nominated.



1959
Winner: Miklos Rozsa - Ben-Hur
Miklos Rozsa won the award for Ben-Hur, and I think that was a good call.

1960
Winner: Ernest Gold - Exodus
My Choice: Bernard Herrmann - Psycho
Ernest Gold's score to Exodus won the award for this year while The Alamo (Dmitri Tiomkin), Elmer Gantry (Andre Previn), The Magnificent Seven (Elmer Bernstein) and Spartacus (Alex North) were nominated.  While The Alamo was deserving, I personally feel that Bernard Herrmann's suspenseful and iconic score to Psycho deserved it about as much as Freud, but it wasn't even nominated.

1961
Winner: Maurice Jarre - Lawrence of Arabia
My Choice: Monty Norman/John Barry - Dr. No or Jerry Goldsmith - Freud
The winner was Maurice Jarre's Lawrence of Arabia, but I think that Jerry Goldsmith's score for Freud was more deserving.  Elmer Bernstein's To Kill a Mockingbird was also very good.  Without the benefit of 20/20 hindsight, it's understandable why Monty Norman and John Barry's Dr. No didn't win, but you'd think that one of the most distinctive and iconic themes would have at least been nominated.  Also nominated were Bronislau Caper's Mutiny on the Bounty, Franz Waxman's Taras Bulba.

1963
The Winner: John Addison - Tom Jones
My Choice: Elmer Bernstein - The Great Escape
John Addison's Tom Jones won, with Cleopatra (Alex North), 55 Days at Peking (Dmitri Tiomkin), How the West Was Won (Alfred Newman, Ken Darby) and It's a Mad, Mad, Mad, Mad World (Ernest Gold) were all nominated.  Elmer Bernstein's Great Escape wasn't even nominated, but It's a Mad, Mad, Mad, Mad World was equally deserving.
While looking at the musical scores George Burn's score to Sword in the Stone was good, but this nomination sounds awful. 

1965
Winner: Mauric Jarre - Doctor Zhivago
Maurice Jarre's score for Doctor Zhivago won, which is good because it's a very memorable theme, even if it is mostly used for cartoon characters about to lose their balance.

1966
Winner: John Barry - Born Free
My Choice: Ennio Morricone - The Good, The Bad and the Ugly
John Barry's Born Free is a classic score, but it also deservedly won the Best Song Oscar making this award absurdly redundant.  Meanwhile, Ennio Morricone's iconic The Good, the Bad and the Ugly wasn't even nominated.  Nominations included The Bible (Toshiro Mayazumi), Hawaii (Elmer Bernstein), The Sand Pebbles (Jerry Goldsmith) and Who's Afraid of Virginia Woolf? (Alex North). 

1969
Winner: Kurt Bacharach - Butch Cassidy and the Sundance Kid
My Choice: John Barry - On Her Majesty's Secret Service
The winner was Butch Cassidy and the Sundance Kid (Kurt Bacharach) with the nominations being Anne of a Thousand Days (Georges Delerue), The Reivers (John Williams), The Secret of Santa Vittoria (Ernest Gold) and The Wild Bunch (Jerry Fielding).  Of course, my choice (On Her Majesty's Secret Service by John Barry) wasn't even nominated.
Though I mentioned that I'm normally not addressing the subcategory for best musical/comedy score, this year's entries were pretty good.

1970
Winner: Francis Lai - Love Story
I'm actually pretty split between the winner, which was Love Story (Francis Lai), and Patton (Jerry Goldsmith), which at least got nominated.

1972
Winner: Charlie Chaplin - Limelight
My Choice: Nino Rota - The Godfather
While The Godfather (Nino Rota) deserved the award more than Charlie Chaplin's posthumous award for Limelight, at least the Oscars gave it to Godfather, Part II, which was pretty much the same score.

1974
The Winner: Nino Rota - The Godfather, Pt. II  
Godfather, Part II definitely deserved its award.

1975
The Winner: John Williams - Jaws
The winner was John Williams for Jaws, and I have no complaint.

1976
The Winner: Jerry Goldsmith - The Omen
Jerry Goldsmith won with The Omen.  Once again, good call.  But I think Rocky deserved a nomination.

1977
The Winner: John Williams - Star Wars
John Williams' score for Star Wars won deservedly. 

1978
The Winner: Giorgio Moroder - Midnight Express
My Choice: John Williams - Superman
Giorgio Moroder's score for Midnight Express is a classic, but as classic as John William's Superman theme?  No.  Oh well, it was a good four-year streak for this award.

1980
The Winner: Michael Gore - Fame
My Choice: John Williams - Empire Strikes Back
I was wondering what would beat the score to Empire Strikes Back, and when I looked found something more appropriate to the Best Song category.

1981
The Winner: Vangelis - Chariots of Fire
My Choice: Klaus Doldinger - Das Boot
The best score went to Vangelis for Chariots of Fire, which is understandable because it was a very inspiring theme.  Raiders of the Lost Ark also had some very good songs.  Other nominations included Randy Newman for Ragtime, Alex North for Dragonslayer and Dave Grusin for On Golden Pond, which were all good.  My choice for the Award snub is Klaus Doldinger for Das Boot.

1982
The Winner: John Williams - E.T.
My Choice: Vangelis - Blade Runner
Though John Williams' theme to E.T was good, I though the score to Gandhi was better as well as An Officer and a Gentleman's score and Poltergeist's score.   Sophie's Choice was also nominated.  The snubs were Vangelis' Blade Runner and Ennio Morricone's The Thing, which maddeningly "won" a Razzie.  Phillip Glass' Koyaanisqatsi was also a blantant snub.

1983
The Winner: Bill Conti - The Right Stuff
My Choice: John Williams - Return of the Jedi
Out of the nominations, I would have given it to John Williams for Return of the Jedi.  I also think Giorgio Moroder could have been nominated for Scarface.

1984
The Winner: Maurice Jarre - Passage to India
My Choice: Toto/Brian Eno - Dune or Brad Fiedel - Terminator
Out of the nominees, I would say Passage to India and Natural were the best, but no recognition for Brad Fiedel or Toto/Brian Eno for Terminator or Dune?

1985
The Winner: John Barry - Out of Africa
The nominees seem fair, but I would argue that Alan Silvestri deserved a nomination for Back to the Future.

1986
The Winner: Herbie Hancock - Round Midnight
My Choice: Howard Shore - The Fly
Out of the nominees, I think The Mission was the most deserving.  I would argue against Aliens, since James Horner evidently recycled motifs from previous movies for it.  My pick for the snub of that year was Howard Shore for The Fly.

1987
The Winner: Ryuichi Sakamoto, David Byrne, Cong Su - The Last Emperor
My Choice: Basil Poledouris - RoboCop
This one pisses me off.  While most of the nominees were good, they didn't even nominate Basil Poledouris for RoboCop!

1988
The Winner: Dave Grusin - The Milagro Beanfield War
My Choice: James Horner - The Land Before Time
None of the nominations, except maybe Rain Man, can hold a candle next to the scores for Land Before Time, Beetlejuice and Scrooged (Danny Elfman).

1989
The Winner: Alan Menken - The Little Mermaid
My Choice: Danny Elfman - Batman
Wow.  Just wow.  They did not nominate Danny Elfman for Batman?!  HOW?!

1990
The Winner: John Barry - Dances with Wolves
My Choice: Danny Elfman - Edward Scissorhands
Of the nominees, I found that Avalon and Havana were the only ones that seemed deserving.  My choices would have been Edward Scissorhands (Danny Elfman), Hunt for the Red October (Basil Poledouris) and Days of Thunder (Hans Zimmer).

1991
The Winner: Alan Menken - Beauty and the Beast
My Choice: Cliff Eidelman - Star Trek VI or Howard Shore - Silence of the Lambs
I found the nominees to be mostly forgettable.  My choices would have been Star Trek VI, Silence of the Lambs, and Terminator 2 (Brad Fiedel). 

1992
The Winner: Alan Menkin - Aladdin
My Choice: Danny Elfman - Batman Returns or Trevor Jones/Randy Edelman - Last of the Mohicans
Most of the nominees were good, but not good enough to compensate for the massive failure of not even nominating Batman Returns or Last of the Mohicans.  I would have replaced Chaplin and A River Runs Through It.

1993
The Winner: John Williams - Schindler's List
As for the nominees, I actually agree with Schindler's List, as it was a tearjerker.  The Fugitive was okay, too.  My choices for the nomination snubs would be Tombstone (Bruce Broughton), Army of Darkness (Danny Elfman) and Jurassic Park (John Williams).

1994
The Winner: Hans Zimmer - The Lion King
My Choice - Mark Mancina - Speed
Actually, a relatively good group this year.  I would think that Forrest Gump (Alan Silvestri) might have deserved the award more than Lion King, but not as much as Speed (Mark Mancina)

1995
The Winner: Luis Bacalov - The Postman
My Choice - James Horner - Braveheart
A surprisingly good collection this year.  My choice was nominated, Apollo 13's (Jame Horner) is good and I was surprised how much I liked John William's Nixon score even though I never saw the movie.  I would have replaced the other two with the scores for Batman Forever (Elliot Goldenthal) and Han's Zimmer's Crimson Tide (which would have been a close second to Braveheart).  The best musical score nominations were mostly good, too.  While I don't think it should qualify Michael Kamen did a pretty good cover in Die Hard with a Vengeance.

1996
The Winner: Gabriel Yared - The English Patient
My Choice: Danny Elfman - Mars Attacks!
These were also surprisingly good scores, although the nominees deserved it more than the winner.  My choice would have been Mars Attacks!  The score to The Rock was also deserving of a nomination.  I would probably give the Musical/Comedy nominations a mention mostly because of Hunchback of Notre Dame

1997
The Winner: James Horner - Titanic
My Choice: Basil Poledouris - Starship Troopers
Out of these I liked Titanic (James Horner), Good Will Hunting (Danny Elfman) and Kundun (Philip Glass), but I still stand by choice.  It makes me wonder why the Academy never nominated Basil Poledouris.  Maybe he won a fight with one of them in the schoolyard.  Anastasia (Stephen Flaherty, David Newman) had a great score too.

1998
The Winner: Nicola Piovani - Life is Beautiful
My Choice: Trevor Rabin - Armageddon
Mostly good choices, but I would have awarded Armageddon (Trevor Rabin), a score so good it single-handedly rendered an awful movie watchable.  Hans Zimmer seems to have liked his score for Thin Red Line as it seems to be a Oscar-bait score he comes back to from time to time.  As for the Musical/Comedy awards, I liked the scores to Prince of Egypt (Hans Zimmer) and Mulan (Jerry Goldsmith).

1999
The Winner: John Corigliano - The Red Violin
My Choice: John Williams - Star Wars Episode I: The Phantom Menace
Though the winner in this group was good, I would have definitely nominated different scores,
including Fight Club (The Dust Brothers), The Matrix (Don Davis), Sleepy Hollow (Danny Elfman) and For Love of the Game (Basil Poledouris)

2000
The Winner:Tan Dun - Crouching Tiger, Hidden Dragon
My Choice: Clint Mansell - Requiem for a Dream or Hans Zimmer - Gladiator
Gladiator's score is one of my all-time favorites and it at least got a well-deserved nomination.  Equally deserving was the snubbed Requiem for a Dream (Clint Mansell), which if anything would have gotten an extra point for originality.  Chicken Run (John Powell) and X-Men (Michael Kamen) also had good scores.
  
2001
The Winner: Howard Shore - Howard Shore - Lord of the Rings: The Fellowship of the Ring
LOTR's win and the nominations of A Beautiful Mind (James Horner) and Harry Potter (John Williams) make this a rare success, but I'm a bit upset that Shrek's score wasn't nominated.  It was a close second to that of Lord of the Rings, which had more variety.  Maybe Pearl Harbor's score (Hans Zimmer) should have gotten a nomination, too.

2002
The Winner: Elliot Goldenthal - Frida
My Choice: Klaus Badelt - Equilibrium
Well, this is disappointing.  None of the nominees are nearly as memorable as what else came out this year.  Equilibrium's score is one of my favorites, and the 28 Days Later theme (John Murphy) is a close second for this year.  I also liked the themes to Resident Evil (Marilyn Manson/Marco Beltrami) and Spider-Man (Danny Elfman).  Definitely a blatant snub year.

2003
The Winner: Howard Shore - Lord of the Rings: The Return of the King
My Choice: Don Davis - The Matrix Revolutions
Because the award already went to the score for Fellowship, I think nominating Return of the King's soundtrack, which I don't think distinguished itself from the previous movies enough, was redundant.  And yet they didn't nominate Don Davis for producing one of the most epic movie scores of all time.  Matrix Reloaded also had some great music, too.  Terminator 3 (Marco Beltrami) and Pirates of the Caribbean (Klaus Badelt/Hans Zimmer) also had very deserving scores.  

2004
Winner: Jan A.P. Kaczmarek - Finding Neverland
My Choice: Marco Beltrami - I, Robot
Out of the nominees, Harry Potter 3 and The Village seem relatively deserving.  I would have chosen I, Robot, The Bourne Supremacy (John Powell) and Team America: World Police (Harry Gregson-Williams). 

2005
Winner: Gustavo Santaolalla - Brokeback Mountain
My Choice: Graeme Revell - Aeon Flux
None of the nominees sound particularly memorable to me except Brokeback Mountain, which has mostly been appropriated into parody.  I liked the score for Aeon Flux, with Batman Begins being a close second.   My other choices would be Chronicles of Narnia (Harry Gregson-Williams), Sin City (Graeme Revell), Revenge of the Sith (John Williams) and The Island (Steve Jablonsky).  Actually, all of those scores are pretty damn good.

2006
Winner: Gustavo Santaolalla - Babel
My Choice: Hans Zimmer - Pirates of the Caribbean: Dead Man's Chest
Out of the nominees, I liked The Good German, Pan's Labyrinth and Notes on a ScandalI still prefer Pirates of the Carribean 2, V for Vendetta (Dario Marianelli) and The Fountain (Clint Mansell)

2007
Winner: Dario Marianelli - Atonement
My Choice: Clint Mansell- Smokin' Aces
The nominees have some okay pieces, but there were better scores out there.  My choice would have been Clint Mansell for some of his best work in Smokin' Aces with Sunshine (John Murphy) as a close second.  Live Free or Die Hard (Marco Beltrami) also had the best score of the series, and I also liked the score to Mr. Brooks (Ramin (Djawadi) and Beowulf (Alan SilvestriPirates of the Caribbean: At World's End (Hans Zimmer) and Harry Potter and the Order of the Phoenix (Nicholas Hooper) also had their moments. 

2008
Winner: A.R. Rahman - Slumdog Millionaire
Another winner I actually agree withWall-E (Thomas Newman) was also a deserving nomination.  Michael Giacchino and David Arnold both did good work for Speed Racer and Quantum of Solace, but those movies were a bit too dependent on pre-existing scores.  I rare year for which I have no complaint.

2009
Winner: Michael Giacchino - Up
My Choice: Christopher Young - Drag Me to Hell
Most of the nominations were actually pretty good choices with the exception of Avatar.  The only thing I found memorable about that score was that at least once James Horner used that four-note motif he puts in every other damn movie he scores.  That alone should be an automatic disqualification.  Up (Michael Giacchino) and Fantastic Mr. Fox (Alexandre Desplat) were also good choices (I liked Fox better, though)  Christopher Young's score to Drag Me to Hell was great, and that is one of the few positive things I can say about that abortion.  Clint Mansell's Moon was also good and so was Richard Marvin's Surrogates (all minute of it anyway)  

2010
Winner: Trent Reznor - The Social Network
My Choice: Joseph Trapanes/Daft Punk - Tron: Legacy
Not a bad group (Hans Zimmer's Inception was the most deserving of the nominees), but I was too busy being pissed off at Tron: Legacy's snub to care.  It's so distinctive and iconic that I actually expect to hear it when I watch the original Tron.  

2011
Winner: Lucovic Bource - The Artist
My Choice: Henry Jackman - X-Men: First Class
Not a bad choice this year.  The Artist and Tintin (John Williams) both had very enjoyable scores, but I would've like to see the score for X-Men: First Class (Henry Jackman) at least get nominated.

2012
Winner: Mychael Danna - Life of Pi
My Choice: Dario Marianelli - Anna Kerinina
Good choices this year.  Skyfall (Thomas Newman) had its moments, but if you're going to give a Bond score an Oscar, it should have been Dr. NoAvengers (Alan Silvestri) had a good score, and The Amazing Spider-Man (James Horner) had its moments.

2013
Winner: Steven Price - Gravity
My Choice: Hans Zimmer - Man of Steel
Out of these Gravity was very good, but I still can't belive they ignored Hans Zimmer's excellent score for Man of Steel.  Other snubs included Only God Forgives (Cliff Martinez), Trance (Rick Smith) and Pacific Rim (Ramin Djawadi)

2014
Winner: TBA
My Choice: Steven Price - Fury
 A surprisingly good group despite couple bad snubs.  Alexandre Desplat’s score for Grand Budapest Hotel has a nice folk charm.  His score for The Imitation Game is also very good.  I'm rooting for him to win out of the nominees.  Hans Zimmer’s score for Interstellar is awesome, but suspiciously familiar at times.  Johann Johannson’s score for The Theory of Everything seems to be the weakest of the bunch.  Mr. Turner (Gary Yershon) is okay.  The frustrating snubs of the year in this category are Steven Price’s excellent work for Fury, which I think is even better than his Oscar-winning score for Gravity, Disasterpiece's It Follows and Clint Mansell's score for Noah.


And here's a short list of the winners I agree with.


1959: Miklos Rozsa – Ben-Hur
1965: Maurice Jarre – Doctor Zhivago
1974: Nino Rota – The Godfther, Pt. II
1975: John Williams – Jaws
1976: Jerry Goldsmith – The Omen
1977: John Williams – Star Wars
1985: John Barry – Out of Africa
1993: John Williams – Schindler’s List
2001: Howard Shore – The Lord of the Rings: The Fellowship of the Ring
2008: A.R. Rahman - Slumdog Millionaire