Darren Aronofsky is known for his intense style, themes
of obsession/addiction, and frequent collaboration with Clint Mansell. His movies have always been a bit of a
mindscrew, but unfortunately he’s been slipping lately as he’s gotten into
subject matter he’s not quite good at commenting on. Considering what I’ve heard about Mother! (which I don’t intend to go
see), he’s getting worse about making pretentious dreck, especially when
religion is involved. I think it’s safe
to call him a fallen creator.
6. Noah
2014
**********
I know we’re pretty much a Post-Christian society now,
but it doesn’t seem like it’s been that way for so long. You’d think most nonbelieving filmmakers
would at least have a basic grasp of
Judeo-Christian theology, but they keep making these movies that demonstrate
they don’t understand Abrahamic religion any more than Ralph Wiggum. This absurd movie is a prime example of this
trend. This movie’s probably the reason
I thought twice before committing to see Mother!
5. Black Swan
2010
**********
I thought this movie was a bit clumsy. It was about how artists, particularly
ballerinas, can become consumed by their work, but it exaggerates it to the
point of farce. Especially since it
treats ballet the same thing Requiem for
a Dream treats drug addiction.
4. Pi
1998
**********
Atmospheric and wonderfully disturbing. One of Aronofsky’s themes is obsession, and
this movie does it well.
3. The Wrestler
2008
**********
Aronofsky takes a break from his usual style and makes a
straightforward drama. Maybe a bit
disappointing if you’re expecting a visually stylish mindscrew, but it’s a good
movie.
2. The Fountain
2006
**********
An underrated masterpiece. More honest in its symbolism than his lesser
works and the visuals are astounding.
1. Requiem for a Dream
2000
**********
A disturbing look at drug addiction. Aronofsky uses his stylistic strengths to
maximize the horror of the situation.
Clint Mansell’s score is excellent, as well.
PROGRESSION
 |
| Average: 6.7 |
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