Friday, October 25, 2019

My Birthmovie


 
Teachers
1984
D: Arthur Hiller
**********
Pros: Good Cast, Funny for the First Few Scenes
Cons: Hackish Plot Devices, Melodrama



         I only heard of this movie because of an internet meme that asked people what the number one movie at the box office was the day they were born.  If my brief research is correct it’s this film.  It seemed to have a clever sell: a school whose teachers were just as amusingly irresponsible as the students.  This had to the potential to be to public education what M*A*S*H was to the military but, as Roger Ebert lamented, it was more like General Hospital.
          Sadly, the movie actually does start like the former.  It establishes the chaotic nature of its inner-city Columbus, Ohio high school with wit and humor.  For about twenty minutes I was thinking that I had stumbled on a hidden gem, and then its soapy plot proceeded in earnest.  In fact, this seems to be problem for many movies: Plotting a Perfect Good Comedy.  I’ve seen multiple comedies that were really funny when they were just sticking to their strength of showing their characters’ bouncing off each other, only to turn dull when felt that obligated to have formulaic and saccharine story. 
          In addition to the usual bedlam, the school is dealing with a lawsuit from a student named John Calvin, who is suing the school for allowing him to graduate without actually teaching him how to read.  There is an interesting element here in which the school faculty cynically agrees to stonewall the deposition, reflecting the folly of interpersonal loyalty when it takes precedence over morality and duty.  This could have been executed well and with good comedy, but the movie ends up going down an idealistic route it’s too campy to handle properly. 
           The movie’s protagonist, a lazy but earnest and hip-with-the-students teacher named Alex Jurel (Nick Nolte), at first appears to be a company man, reassuring his close friend Vice Principal Roger Rubell (Judd Hirsch) that he will not betray the school.  This changes when he falls in love with his former student Lisa Hammond (JoBeth Williams), who is now a lawyer for the prosecution in this case.  The romance is predictably lazy and rushed for a blockbuster, and after some tension over the case, Jurel begins to see her point of view.  And because this movie wouldn’t be hackneyed enough without a kid who needs to be reached, Jurel also forms a connection with delinquent student Eddie Pilikian (Ralph Macchio, most known for his starring role in Secret of NIMH 2: Timmy to the Rescue).  Eventually the school catches on to his status as a potential liability and forces him to resign.  As a pretext for this punishment they use his “compassionate” decision drive a student (Laura Dern) to an abortion clinic, a tangent which in itself is underdeveloped and trivialized as it only serves the purpose of Jurel’s persecution as well as ideological manipulation.  Meanwhile, Lisa is disillusioned when her firm is satisfied with a settlement (which should render the Jurel’s forced resignation moot), and browbeats Jurel into not giving up.  She does so by ranting about how she’s not afraid to “run naked down the hallways” (a proposition which I did not realize was on the table) and drives the point about both integrity and the movie’s quality by literally stripping naked and running down the halls.  Inspired, Jurel defies the school at the risk of a lawsuit, pontificating in front of an admiring crowd of students that the school is for the kids, not the teachers.  Even Eddie is inspired to make something of his life now.  It’s the cinematic equivalent of a Tumblr anecdote in which everybody cheers.
           There are multiple tangents in the movie, but they have little significance except as background noise.  It’s almost like the movie tried to cram a miniseries’ worth of material into its runtime, albeit not very hard.  There is one neurotic but honest teacher named Rosenberg (Allen Garfield) whose hand is bitten by a crazed student named Danny Reese (Crispin Glover).  Danny mostly serves as a dim-witted foil for Eddie until he’s tragically shot when he steals a gun in the school.  Richard Mulligan plays a mental outpatient to wanders into a substitute teacher’s apartment when the latter is in the shower and accepts a call from the school to teach there.  His classes end up being fun and engaging because he cosplays during them.  Royal Dano plays Kenneth “Ditto” Stiles, a teacher who simply passes out handouts to the students and sleeps through his classes.  It’s never made clear how the normally unruly children act so civilized under these conditions.  He dies in his sleep, and that’s the arc.  Other cast members include Lee Grant, William Schallert, Art Metrano, Madeleine Sherwood, Anthony Heald, and Morgan Freeman as the school’s corrupt attorney.
                The music is generic 80’s pop with some good selections.  Overall, the movie was disappointing, just idealistic melodrama that provides no real solution to a complex problem, even though it momentarily contains a justified swipe at unions.  I didn’t exactly gain much by watching just for the sake of a gimmick related to my birthday, and the sad thing is…

I was one day away from The Terminator. 

Monday, October 21, 2019

A Few Werewolf Transformations Ranked.

Funny thing is that the two of the best/worst transformations here also have two of the worst/best designs, respectively

SPOILERS



10. Dog Soldiers (2002)
D: Neil Marshall


9. Underworld (2003)
D: Len Wiseman


6. Ginger Snaps (2000)
D: John Fawcett
A good practical skin pulsating effect, but the actual tf is not shown.


D: Alfonso Cuaron 


4. The Wolf Man (1941) 
D: George Waggner


D: John Landis



2. The Howling (1981)
D: Joe Dante 



D: Neil Jordan

Best Werewolf Designs


 Werewolf Transformations Ranked

I tend to have strong opinions on werewolf design.  So I’ll break the various types down here:
The well the designs work depends on the context of what archetype you’re suing
                TYPE 1: Person involuntarily transforms during full moon
                TYPE 2: Person transforms permanently, although the full moon could be a trigger
                TYPE 3: Person transforms at will
                TYPE 4: Person transforms in response to trigger
                TYPE A: Person loses all control of actions during transformation. 
                TYPE B: Person retains humanity
Type 1A is generally the Classic.  Its appeal is that of a good person tormented by guilt with what he did during the full moon.  Twists on the trope can be good as well, though.The designs fall under:
TOO HUMAN: Werewolf looks too much like a human in “werewolf” form so what’s the point.  Might as well just be a vampire.
TOO LUPINE: “Werewolf” form looks too much like normal wolf.  Good werewolf designs are a mix of human and lupine traits.  Once could say that the bestial look is appropriate for type A’s but ideally those should be twisted monsters who target people, not normal animals.
WOLFMAN: I know it’s iconic and “classic,” but let’s be honest, it’s a lame design.  It’s usually a good idea for a werewolf to have a muzzle since biting is its primary mode of attack.  The wolfman design doesn’t look scary or grotesque enough for Type A or appealing enough for Type B.
THE IDEALIZED: Has a lupine head on a humanoid body.  Tails are optional, but it looks a bit creepier without it so better to avoid them.  A tail in generally the difference between a werewolf an a cartoon character.  While they look intimidating, the problem is that they look too appealing for Type A’s and (imo) should be generally reserved for Type B.  The ancient archetype of a monster’s form being inherently corrupt, reflecting either a true monster or a curse human who must free himself of the form, only works if the form is actually grotesque, which brings us to...
THE GROTESQUE: A genuinely hideous abomination that is generally ideal for Type A’s.  This is generally a tough thing to pull off because you still need to maintain a muzzle and a wolf/human hybrid appearance. 


Keep in mind design/type context is being considered in this ranking.




10. WEREWOLVES
Wolf (1994)
Type 2B, Too Lupine
Although I usually dislike the Too Lupine design, this one does have a nice, subtle twist in that the eyes and cranium are more human.





9. WOLFMAN
The Wolfman (1941)
Type 1A, Wolfman
It’s a classic and was probably impressive for the time. 





9. WOLFMAN
The Monster Squad (1987)
Type 2A, Wolfman
I normally don’t like this design, but it’s grotesque and scary enough to work.  Still, nerfed bite reach.





8. SUPER LYCAN
Type 3B, Idealized
It’s about time this series got it right.




  
7. WEREWOLVES
Van Helsing (2004)
Type 1A, Idealized
A good Idealized design, but not a big fan of these on Type A’s.  A decent twist is that hair color determines fur color




6. WEREWOLF
Type 1A (1B with Wolfsbane), Idealized
This design works equally well for A/B because it’s equal parts grotesque/appealing while also being able to transition between two and four legs.  It also has an effectively pathetic quality without sacrificing intimidation.




5. THE WEREWOLF FAMILY
Hotel Transylvania (2012)
Type 2B, Idealized
While these are cartoonishly cute, it’s mostly a legit werewolf design in a cartoon style.  I also like how the pups incorporate part of the Wolfman design.


 


4. WILLIAM CORVINUS
Type 2A, Idealized
This is probably the coolest manifestation of the Idealized, so it’s a real shame it’s been wasted on a Type A.  This is what the Lycans should have looked like in the first movie.




3. GINGER
Ginger Snaps (2000)
Type 2A, Grotesque
This is a rare example of an ideal 2A design.  A truly hideous and scary design that doesn’t sacrifice bite reach.




2. WEREWOLVES
Dog Soldiers (2002)
Type 1A, Idealized
While a bit Idealized for Type A, this does compensate for it by being possibly the scariest looking werewolves in film.  And that’s impressive due to the low budget effects.  Particularly effective is the hairless bodies, which add to the creepiness; it’s Poodling: The Movie.





1. WEREWOLVES
The Howling (1981)
Type 3B, Idealized
Frightening and cool, which makes them effective as they are a symbol of humanity’s struggle with its urges.  Appropriately appealing for Type B as well.